And if video didn’t shift on play and stop, I might leave it on all the time. For some reason, whatever you do to one panel affects the other.īut despite these problems, the Desktop Play Delay setting has solved a big problem in my cutting room. There’s another quirk, as well: You can’t create two settings panels, one with an offset and one without, and then switch between them. That’s not a show stopper, but it’s another reason to set the delay back to zero for the bulk of your work. Professor and Motorola Chair in Analog and RF Integrated Circuits, School of Electrical, Computer and Energy Engineering, Ira A. Also note that because this feature was designed for DV, it causes video to jump when you press play or stop, by the number of frames you’ve selected. I tend to leave the setting at zero when I’m working alone, but make the adjustment when I have people in the room, or when we’re screening. Sadly, you can’t be in sync on both the Composer window and the big screen, so you’ll have to choose - no delay for perfect sync on the Composer, or your preferred offset for perfect sync on the client monitor. You’ll have to experiment a bit to get it right: on our LGs, a two-frame delay seems best. Just select a frame offset in the setting panel: the number of frames you enter is the amount audio will be delayed. But it can also work effectively to put your Avid audio in sync with a client monitor. It was designed for output to a DV device where video and audio are delayed by the latency in the device.
Lightworks audio delay tv#
Neither approach is ideal: running audio through the TV is awkward, limits you to two tracks, and may degrade quality, and delay boxes are fairly expensive.īut there’s a third alternative that I discovered recently: Avid’s Desktop Play Delay setting.
Lightworks audio delay pro#
You typically have two choices: run your audio through the TV and then back out to your speakers, or purchase and use an audio delay box. Lightworks - Easy to Use Pro Video Editing Software Get Creative Video editing software to help you change the way people see the world Get Started, It's Free Hollywood-strength editing for everyone For 30 years, Lightworks has helped every type of video editor and creator imaginable from Oscar-winning Hollywood legends to YouTubers. The result is a sync problem on the TV - the Avid’s composer window looks good, but the on the big screen audio is advanced relative to video, often by as much as two frames and sometimes more. But when such a TV is used in an editing room, audio is typically run through a mixer and big speakers and isn’t delayed. If you use the same TV at home, you’ll be listening to audio through the TV - and the TV contains hardware that delays the audio, as well, and keeps you in sync. This is the result of the fact that most consumer-level TVs introduce a video delay - the time it takes the TV’s video scaling hardware to do it’s job. If you’re using an HD TV as a client monitor, you’re probably familiar with the dreaded “out-of-sync-on-the-big-screen” problem.
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